“Album of deforgetfulness” unfolds as a visual–poetic act of reparation, addressing the archival erasure of Black and Indigenous women in Brazil’s colonial record. Through a speculative and intimate image repertoire, the project fabulates submerged histories of affection between women of the past, tracing forms of kinship and desire that exceed the limits of official narration.

The late curator of the current edition of the Venice Biennale was the first African woman appointed to this role. A committed feminist, her work consistently championed women artists and practitioners from the Global South. Women House Amsterdam paid ongoing tribute to her with a memorial at the exhibition entrance, where flowers were regularly renewed throughout its duration. Her passing represents a profound loss to the art world, as her practice brought a renewed sense of inclusivity, diversity, and humanity.

Via an open letter addressed to Brazil’s Ministry of Culture and Funarte, seven Brazilian women artists selected to participate in the Women House Amsterdam exhibition express concern over the unexplained suspension and lack of communication regarding a cultural mobility grant (Call No. 01/2024) for which they applied. The signatories emphasise that their participation in the Netherlands depends on this funding, while situating the issue within a broader context of limited institutional support for women artists and independent feminist initiatives. In doing so, they call into question the institutions’ stated commitment to cultural exchange in light of their silence surrounding the call.

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